Something a bit special happened in Liverpool at the weekend.
And it's a hard to explain why a giant mechanical puppet
brought hundreds of thousands of people onto the street - including
around 20,000 into the monsoon-like conditions on Friday night -
but
La Princess worked her magic, just as the organisers said she
would.
If there were any lingering doubts about whether local people had
really bought into 08,
they were emphatically blown away over the last few days.
This time last year things weren't looking at all good for
Liverpool's year as European Capital of Culture - The Mathew
Street Festival had been cancelled, the Culture Company's head
honcho, Jason Harborow, was beginning gardening leave and the city
centre was a building site.
The outside world and local doom-merchants loved it.
But slowly, the events began to speak for themselves … The
Liverpool Nativity, The opening nights on Lime Street and the Echo
Arena, Holocaust Memorial Day at the Phil, Street Waves in the shop
windows along Bold Street, McCartney at Anfield, Klimt and Art in
the age of Steam at Tate Liverpool, The Mathew Street Festival, the
Berliner Philharmoniker and lastly, La Machine.
And I for one have loved every one.
If you've not been wowed by this year's offerings,
you're either dead or just not making an effort.
At the end of last night's finale some of the 300-strong La
Machine crew emerged from the Mersey Tunnel to cheers and applause
from thousands of Liverpudlians. At the end of 08 the Liverpool
Culture Company deserves no less.
Next stops: the
Tour of Britain,
AudioVision, Feast and the Biennial.
See you there.
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